Blog Posts

Sub and Cue List Macro

I wish Eos had the ability to save Fader Default Preferences.  I want every fader to default to be Exclude ...
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LDI 2022 Top Six

I attended LDI for the first time this year.  It was an amazing experience, no doubt mostly because of the ...
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Top Three Settings to Enjoy Multiple Cue Lists on Eos

Many programmers I know avoid using multiple cue lists on Eos. Why is that? Though aren’t all the reasons, here ...
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Release: a Multi-Cue-List Essential

Whether you are busking, doing film, or programming a live performance with multiple cue lists- you need to know what ...
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Tiny Tip: Low Output White Color Palette

When I think of classic rock and roll lighting, any time the lights dump to white, it’s to purposely overwhelm ...
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Channel Filter Reversal

I’ve used Channel Filter on both Cue Lists and Submasters for a while. When I’m setting up a busking rig, ...
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Live Event to Film Programmer 10 – So. Many. Flicker Effects.

Photo by Joshua Bartell on Unsplash Welcome back to this series that intends to help live event programmers orient themselves in the film ...
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Live Event to Film Programmer 9 – Stage Days

We’ve gone over Locations with Drop Packages, so now let’s dive into a typical Stage experience. Stage is where the ...
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Live Event to Film Programmer 8- Keeper of the Data

Photo by Alexander Sinn on Unsplash Now that we’ve talked through your first day on set, let’s take a step back to look ...
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Live Event to Film Programmer 7: First Day on Set

On set for "End of the Road", my first feature. You awake in the dark, check your email for the ...
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